Starring Carlo Rota and Levi MacDougall. Writer and Director: Nolan Sarner Producers: Andrew Sulliman, Daniel Bekerman and Nolan Sarner Cinematography: Brett Van Dyke Editor: Geoff Ashenhurst Art Direction: Jamie Hill Music and Sound Design: Marco Defilice, Collin Caddies
An animated short made using the audio of David Lynch telling the story of when he met George Lucas about possibly directing Return of The Jedi. Shot entirely with an iPhone 3G using the iMotion app.
"If you don't want to be nude, wear a suit". That was the title Bruce Weber wanted for the Yves Saint Laurent Autumn/Winter Homme 2010 short film. Regardless of the title, the film managed to combine the stylistic sensuality of Bruce Weber, the design aesthetic of Pilati, and often times, a resurgence of Warhol like qualities. (Think Lonesome Cowboy without the hay and horses.)
Spike Jonze has recently returned to his ad man roots; collaborating with Absolut Vodka. I'm Here which premieres at Sundance, is a 30-minute short film described as a 'robot love story'.
Stressed-out parents or a crazy grandmother. Pia prefers the latter, who takes her to the moon and back. One of our exam films on "Film and Television production" at the University of Bergen, Norway.
Bruce Bickford, who is best known for his collaborations with Frank Zappa in the 1970s, is an international cult figure who has influenced generations of animators while somehow eluding mainstream notoriety. Here is the trailer to Prometheus' Garden (28 min, 1988) which is the only completed film over which Bruce Bickford maintained 100% creative control.
A baby doll struggles with his destiny in a world ruled by Eugenics through a mechanical apparatus represented by awakened surveillance cameras. -- A project by 6 students from the University of Applied Sciences Hagenberg.
Direction: Rafael Mayrhofer Surveillance Camera: Katja Flachberger Special doll: Sven Skoczylas Doll crowd: Johannes Eichberger Miniature Set: Rafael Mayrhofer, Jennifer Weixler Photography: Rafael Mayrhofer, Jennifer Weixler, Bernadette Fellner
This is the tale of Left-brained Larry & Right-brained Rachel, a Siamese twin couple, stuck together by the head and thus resulting in them sharing only one brain. Using exactly fifty percent each, their separate personalities are kept intact and following the theory, being either left- or rightbrained, Larry and Rachel are complete opposites. They have a hard time being stuck together with their counterpart, but not only do they hate each other, their abnormality also makes them dislikable to the people around them, leaving them with a melancholy life of bullying and parental neglect. One thing the couple shares though is a common hatred and a longing for revenge. The opportunity arrives when they find out that using the whole brain at once might give them supernatural powers that can help rid them of their enemies. But the tragic lesson is learned: Being so opposite their team work is doomed to go terribly wrong.
The Big Shave (aka Viet '67) is one of Martin Scorsese's first short films. It was produced at NYU's Tisch School of the Arts in 1967. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War, prompted by the film's alternative title
Luis is the 2nd short video of the series “Lucía, Luis y el lobo” (”Lucía, Luis and the Wolf”), it is a follow-up to the short video Lucía. The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.
Synopsis: Luis talks about his life in the forest and his relationship with Lucía. He appears in charcoal on the walls of a room filled with broken objects that constantly shift around. Little by little the room clears up as the objects return to their proper places.
Film by: Rob Shaw Narrator: Andrea Schuch Voice recorded by: Angela Poschet Animators: Rob Shaw and Sarah Hulin Sound Design: Brian Kinkley Music: Sirrobrob Color Correction: Orland Nutt Additional effects: Fred Ruff
The Dance tells the story of growing up unsure of oneself and trying to find a familiar face; connection amidst insecurity and unfamiliar (and thus), uncomfortable territory that accompanies youth. Three girls search for connection, a sense of belonging in a strange place.
Writer: Melody Idakaar Camera Person: Luis Arnias, Miriam Wildey Editor: Melody Idakaar Sound Recording: Melody Idakaar Original Music: Melody Idakaar Lighting: Samara Watkiss